#and he describes the song as queer

[viir-tanadhal]

no no listen i see the vision

what were the other ones then

[evantualmao]

quadeca fandom so gay i sometimes forget that ben himself is cishet

[batri-jopa]

LGBT w kulturze polskiej

Wały Jagiellońskie i "Tylko mi ciebie brak" z 1981 r.😉

[pikechris]

god I love how ed keeps subverting gender norms and expectations. he's literally named for his beard, he's the most feared pirate on the seven seas, the legends describe him as some sort of devil-like figure with glowing eyes and a head of smoke, all the portraits of him are these hypermasculine caricatures, so you'd expect him to be toxic macho man but NO. he's ed teach. he's queer. he ties his hair in a bun. he has a shiny dangly earring. he paints his nails pink. he loves soft fabrics. he drinks his tea with seven sugars. he wears pearly necklaces. he cries a lot. he paints the bride cake topper to look like him. he wears eye makeup. he's emo. he writes a sad breakup song. he actively dislikes being blackbeard and putting that mask on anymore. he's everything to me he's one of the best characters of all time

[nwarrior777]

making Hamlet fanart in 2024, slapping Juicy (main hero of Fat Ham, a modern play, Hamlet version, played by black fat queer person) on char design i saw in old b&w film while listening MCR playlist was an experience

highly recommend. also pls watch/read Fat Ham upd: image description added! (in alt text, but also under the cut)

(Image Description: List of sketches with 3 drawings. The textures used here are elegant looks-like photo silk (for clothes), soft shades and gradients. Shapes are sinking in each other depth. No color, black and white

It's fanart depicting Hamlet character being combination of different versions of him from different media: fat black queer masculine person being elegant, wearing mascara and lipstick (took from modern play Fat Ham) wearing vintage royal clothes (took from old classic film). The narrative of sketches also mixed of modern play (Fat Ham) and classic one

There are 3 sketches:

First one. It's the character described above (TC in text further) sitting in side view. His eyes is closed and face has melancholic emotion. TC is holding a scull. There is a simple-shaped silhouette of crown above his head. This image represent classic play melancholic vibes of character fused with modern play appearance

Second sketch. It's TC singing, while holding white pigeon in hands. It had previous classic-modern fusion vibes + a little vibe of disney princess song (because of bird and emotion expression similar to disney musicals). By left side of this sketch is stylized speech babble with music notes symbols and deformed text, visualization of singing. The text saying: "I want a perfect body", quoting singing of TC from modern play. By the right side of sketch there is arrow pointing at character with text "has most perfect body ever".

Sketch Three. It's dynamic sketch of TC in a duel (opponent is out of the frame), waving a thin sword (idk how it in eng, in my first it's шпага, a sword but specific type of it). From the chest of TC it's going steam, like character is heated mechanism pushed to limits. The face of TC is strong and determined, with mouth wide open trying to catch breath. Near this sketch is text: (text starts here) "He is fat and scant of breath" - original play quote. i know Fat Ham message. this one [the sketch with duel] here for slay jpeg reason (text ends here).

End of Image description)

[stormcloudrising]

Listened to the full lyrics of Long Face and I love them, and I have some random thoughts on the lyrics. Interesting meaning behind the words with the piano analogy.

The words are obviously meant to represent Lestat’s thoughts about Louis, and what I find interesting is that they see each other the same way. Makes me wonder who wrote the song. Did Lestat write it to put himself in Louis shoes in an attempt to understand him, or in response to the scene from Season 1 episode 2 after Louis kills the agent and they burn the body.

Louis sees their differences in terms of the world they live in and how others see them. Creole/French; Black man/white man; Queer/????? Etc. Lestat on the other hand sees their differences in more idolized romantic terms…basically how they see each other not how the world sees them.

Or was the song written as a duet with maybe Louis also writing Lestat a letter with the latter putting it to music. It’s a tin foil idea but the lyrics sound almost how Louis would describe the two of them…not the other way around.

If you asked Louis how he saw Lestat, he would say that he was filled with fire and energy. And it turns out that’s how Lestat sees Louis. Fire to his calmer self (LOL). But then again, you never see yourself the way others see you.

On the other hand, Lestat is always questing for love and so on that level, the lyrics do makes sense. The song also matches up to his thoughts about Louis when he first sees him pull a knife on Paul. And while Lestat always wants to test the boundaries, he’s always been lonely, which definitely matches up to how he sees himself in the song. Louis fills the void in him.

The lyrics are all about two pianos creating a harmonious sound. Makes me wonder if that’s what he was practicing with his board and Siri. Was he writing the lyrics then. Lestat sees them as opposites who together create the perfect sound.

I’m piano (quiet)

And you’re forte (loud and strong)

You’re Allegro (lively)

I’m Andante (slow or moderate pace)

We’re Bolero (here he’s talking about Ravel’s Bolero, which is basically a repeated melody that builds and builds to include the entire orchestra. It was also originally published as a piano duet.

He’s also saying that his stage persona is not him. He’s an actor wearing makeup. Louis knows the real him but Louis keeps running and he’s calling him out on it. It also interesting that he says “I get fatter, when we breakup.” That suggests some type of spiraling on his part when he and Louis break up. He gets fatter on the blood. The Rock Documentary is for Louis.

I’m very interested to see where season three starts because the lyrics almost sound like they got back together and Louis did one of his bunker like in the books and just disappeared.

Of course, the song is likely just an encapsulation of their relationship as it will be covered going forward and not about any specific off screen event. If so, we’re in for a treat.

Season 3 can’t get here soon enough for me.

[hotvintagepoll]

Propaganda

Marlene Dietrich (Shanghai Express, Witness for the Prosecution, Morocco)—Bisexual icon, super hot when dressed both masculine and feminine, lived up her life in the queer Berlin scene of the 1920s, central to the 'sewing circle' of the secret sapphic actresses of Old Hollywood, refused lucrative offers by the Nazis and helped Jews and others under persecution to escape Nazi Germany, the love of my life

Xia Meng, also known as Hsia Moog or Miranda Yang (Sunrise, Bride Hunter)—For those who are familiar with Hong Kong's early cinema, Xia Meng is THE leading woman of an era, the earliest "silver-screen goddess", "The Great Beauty" and "Audrey Hepburn of the East". Xia Meng starred in 38 films in her 17-year career, and famously had rarely any flops, from her first film at the age of 18 to her last at the age of 35. She was a rare all-round actress in Mandarin-language films, acting, singing, and dancing with an enchanting ease in films of diverse genres, from contemporary drama to period operas. She was regarded as the "crown princess" among the "Three Princesses of the Great Wall", the iconic leading stars of the Great Wall Movie Enterprises, which was Hong Kong's leading left-wing studio in the 1950s-60s. At the time, Hong Kong cinema had only just taken off, but Xia Meng's influence had already spread out to China, Singapore, etc. Overseas Chinese-language magazines and newspapers often featured her on their covers. The famous HK wuxia novelist Jin Yong had such a huge crush on her that he made up a whole fake identity as a nobody-screenwriter to join the Great Wall studio just so he can write scripts for her. He famously said, "No one has really seen how beautiful Xi Shi (one of the renowned Four Beauties of ancient China) is, I think she should be just like Xia Meng to live up to her name." In 1980, she returned to the HK film industry by forming the Bluebird Movie Enterprises. As a producer with a heart for the community, she wanted to make a film on the Vietnam War and the many Vietnam War refugees migrating to Hong Kong. She approached director Ann Hui and produced the debut film Boat People (1982), a globally successful movie and landmark feature for Hong Kong New Wave, which won several awards including the best picture and best director in the second Hong Kong Film Award. Years later, Ann Hui looked back on her collaboration with Xia Meng, "I'm very grateful to her for allowing me to make what is probably the best film I've ever made in my life."

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Xia Meng:

Marlene Dietrich:

ms dietrich....ms dietrich pls.....sit on my face

its marlene dietrich!!!! queer legend, easily the hottest person to ever wear a tuxedo, that hot hot voice, those glamorous glamorous movies…. most famously she starred in a string of movies directed by josef von sternberg throughout the 1930s, beginning with the blue angel which catapulted her to stardom in the role of the cabaret singer lola lola. known for his exquisite eye for lighting, texture, imagery, von sternberg devoted himself over the course of their collaborations to acquiring exceptional skill at photographing dietrich herself in particular, a worthy direction in which to expend effort im sure we can all agree. she collaborated with many other great directors of the era as well, including rouben mamoulian (song of songs), frank borzage (desire), ernst lubitsch (angel), fritz lang (rancho notorious), and billy wilder (witness for the prosecution). the encyclopedia britannica entry im looking at while compiling this propaganda describes her as having an “aura of sophistication and languid sexuality” which✔️💯. born marie magdalene dietrich, she combined her first and middle names to coin the moniker “marlene”. she was a trendsetter in her incorporation of trousers, suits, and menswear into her wardrobe and her androgynous allure was often remarked upon. critic kenneth tynan wrote, “She has sex, but no particular gender. She has the bearing of a man; the characters she plays love power and wear trousers. Her masculinity appeals to women and her sexuality to men.” in the 1920s she enjoyed the vibrant queer nightlife of weimar berlin, visiting gay bars and drag balls, and in hollywood her love affairs with men and women were an open secret. she was an ardent opponent of nazi germany, refusing lucrative contacts offered her to make films there, raising money with billy wilder to help jews and dissidents escape, and undertaking extensive USO tours to entertain soldiers with an act that included her a playing musical saw and doing a mindreading routine she learned from orson welles. starting in the 50s and continuing into the mid-70s she worked largely as a cabaret artist touring the world to large audiences, employing burt bacharach as her musical arranger.

First of all, there are those publicity photos of her in a tux. Second of all, I have never been the same since knowing that she sent copies of those photos to her Berlin lovers signed "Daddy Marlene." Not only is she hot in all circumstances, but she can do everything from earthy to ice queen. Also, she kept getting sexy romantic lead parts in Hollywood after the age of 40, which would be rare even now. She hated Nazis, loved her friends, and had a sapphic social circle in Hollywood. She also had cheekbones that could cut glass and a voice that could melt you.

Her GENDER her looks her voice her everything

“In her films and record-breaking cabaret performances, Miss Dietrich artfully projected cool sophistication, self-mockery and infinite experience. Her sexuality was audacious, her wit was insolent and her manner was ageless. With a world-weary charm and a diaphanous gown showing off her celebrated legs, she was the quintessential cabaret entertainer of Weimar-era Germany.”

The bar scene in Morocco awoke something in me and ultimately changed my gender

"Her manner, the critic Kenneth Tynan wrote, was that of ‘a serpentine lasso whereby her voice casually winds itself around our most vulnerable fantasies.’ Her friend Maurice Chevalier said: ‘Dietrich is something that never existed before and may never exist again.’”

"Songstress, photographer, fashion icon, out bisexual phenom (notoriously stole Lupe Velez and Joan Crawford's men, and Errol Flynn's wife, had a torrid affair with Greta Garbo that ended in a 60-year feud, other notable conquests including Erich Maria Remarque -yes, the guy who wrote All Quiet on the Western Front- Douglas Fairbanks Junior, Claudette Colbert, Mercedes de Acosta, Edith Piaf), anti-Nazi activist. Marlene was a bitch - she had an open marriage for decades and one of her favorite things was making catty commentary about her current lover with her husband, and her relationship with her daughter was painful- but she was also immensely talented, a hard worker, an opponent of fascism and the hottest ice queen in Hollywood for a long time."

"She can sing! She can act! She told the Nazis to fuck off and became a US citizen out of spite! She worked with other German exiles to create a fund to help Jews and German dissidents escape (she donated an entire movie salary, about $450k, to the cause). She looks REALLY GOOD in a suit. If you're not convinced, please listen to her sing "Lili Marlene". Absolutely gorgeous woman with a gorgeous voice."

Gifset link

"Bisexual icon and Nazi-hater. Looks absolutely stunning in the suits she liked to wear. 'I dress for the image. Not for myself, not for the public, not for fashion, not for men'."

"would you not let her walk on you?"

[batmanisagatewaydrug]

Watched the Swiftologist’s 1 hr long anti gaylor video and he described You Need to Calm Down as the only evidence we need that’s she’s straight because a queer person would not have written that song. Also he points out that she said she’s not several times. Good video

I mean yeah, the second biggest hole in the entire Gaylor theory is that Swift trying to stay in the closet while simultaneously spending YEARS concocting Riddler-esque puzzles to signal that she's queer to the loudest fandom on earth is that it's counterintuitive to the point of abject stupidity.

the first biggest hole is of course her numerous denials that she's queer.

[merrysithmas]

another thing that really interests me after hearing the demo verison of "Goodbye" (which was the song written by Paul and given to Mary Hopkin) are the songs written by Lennon/McCartney that they "gave away" for others to sing.

when listening to the Goodbye demo we hear for the first (and only?) time Paul singing yearningly to a enigmatic and mournful male lover who "calls him to his side" by the beat of a lonely drum, a call that Paul, touchingly, describes that he must answer with an emotionally stalwart devotion reminescent of two lovers separated by a war (or ... a world that will not let them publically love one another).

TO ME it's so obvious he "GAVE THIS SONG AWAY" only because he couldn't sing it with it's original intended pronouns or face homophobic backlash, and so gave it to a female singer (actually he specifically scouted and signed a female singer SO she could sing it...).

I've always noticed so many Beatles songs avoid the use of pronouns in love songs or use amorphous language such as the abstract "Girl" sung about in the song that shares the name. This to me speaks very clearly to a few things - one: marketing savvy, two: queer writers, three: their cultural awareness of needing to hide their feelings or WANTING to hide them for their own safety and privacy. but alongside that can come a lot of inner pain, as most queer people know, even if it is a choice for safety and/or peace of mind's sake.

being the most famous men in the world - it was clearly a combination of all those things.

so ANYWAY, after discovering this demo a while ago and also John's demo for "Bad to Me" I've gotten really interested in which songs the two "GAVE AWAY" aka perhaps didn't want to change or felt was too much of a dead giveaway regarding their emotional origins so they handed them off.

Here's a list I found in case anyone else wants to look into it too for crumbs!

[The one I cut off in the first pic was "I Am The Greatest" the song John gave to Ringo]

[qwelak]

Before "queer platonic relationship", british people invented the term "best mates". It is commonly used by british band guys to describe their complicated relationship with their bandmates, here's an example:

"yeah this is me bandmate we're really close like we've made out a couple of times and we write songs together, not to mention all my songs are about him and I hate him but I love him with my life and yeah of course he's my best mate"

[edelfie]

#𝓣𝗔𝗦𝗧𝗘! who’s that girl?

Y/N L/N is a nobody. well, maybe that’s a stretch, but it’s nothing compared to the other words the media uses to describe you. washed up, irrelevant, talentless—any cruel word or insult has or will be thrown your way. but 10 years in the game has forced you to grow thick skin, even if the supposed quality of your music doesn’t suit it. so why is it that today, of all the days, you awake to the worst news imaginable—worse than all the name-calling and jeers?

or, you open twitter. it doesn’t go well.

BLIND ITEMS! —

## this millionaire’s daughter influencer is known for buying many of her followers across all platforms. however, brands and colleagues ignore it because of the fat check lining her pockets.

## this one-of-a-duo A-list model is having business disputes with his other half and sibling. apparently, he wants more creative control over their projects despite having been in the industry for less time. it’s so serious that legal litigation is in the works. [revealed: lev haiba, alisa haiba]

## the not-so-indie band’s newest album is rumored to be about a controversial figure in the industry. this figure has already produced an album about the lead singer years ago, however it failed to garner any publicity.

## off-the-charts wannabe pop star is postponing her next album because her team knows her career is over if she doesn’t chart well. after nearly a decade in the industry and without a single long-lasting, cultural hit, she’s better off waiting tables than writing music. [revealed: Y/N L/N]

gracetheestallion. the haiba twins fighting ?? i can’t believe, like actually

colormeshocked. if y/n doesn’t clutch up rq then i’m gonna be so sad for her — underdawg. honestly, it’s just not fair how she’s treated by the industry — garagoesgaga. it’s “unfair”? she literally only makes trash songs and hooks up with men in relationships, girl bye — underdawg. your misogyny is showing, ugly <3 — garagoesgaga. wowwwww insults, so mature. average iq of a y/n fan

read more…

NOTES! —

Two posts in one day? It's more likely than you think! Anyways, today's fundraiser is for the family and sons of Reyna and Javier. Reyna and Javier lost their lives in a fatal crash, leaving their three sons without parents. Of their sons, one of them was dependent on their parents as he has been wheelchair bound all his life. In this brief period of time, he has lost both his parents and his primary caregivers. The entire family is feeling the financial strain of the sudden loss, so every help counts. Please consider donating here on GoFundMe or copy the link and share it online!

If you're new here, or even if you're not since I'm just starting to post again, I strive to bring attention to different fundraisers in all my posts. I primarily focus on sharing the stories of individuals in dire need, such as refugees in Gaza or those experiencing sudden homelessness, however there is no comparison between struggles, grief, and loss here! So I also take the time to share the stories of families such as Reyna and Javier's, and would deeply appreciate it if you could show them some much needed love as well.

I won't say too much, but as someone who has had the cards stacked against them (being a poc, nonbinary, queer, a religious minority, etc.) and has experienced my own share of loss, I can say that while the pain doesn't feel the same, the knife digs itself into you either way. My family was privileged enough to afford a funeral for my grandfather, who recently passed, but with many other family members getting older in age and being taken by the devil that is cancer, it does make me nervous as to how we will make it through. Regardless, I just hope that my plea and the stories I share will implore you to help others—not out of moral or societal obligation or to save face, but out of humanity and compassion <3

SEVEN EVIL EXES + MASTERLIST + NEXT

© all rights reserved—edelfie (2024) // do not plagiarize, modify, copy, use, translate, or repost my work on other sites without permission

[girl4music]

Happy 29th anniversary to the pilot episode of XENA.

Original air date: September 4th, 1995.

Directed by Doug Lefler. Written by Robert Tapert.

Lead starring Lucy Lawless as Xena.

and Renee O’Connor as Gabrielle.

I will watch and write meta about other TV shows.

I will watch and write meta about other TV ships.

But nothing I watch or write meta about in this world will ever come close to matching my fan passion and loyalty to the TV show ‘Xena: Warrior Princess’ and the TV ship Xena and Gabrielle. They are my one true love.

What ‘Sins Of The Past’ does once you’ve seen the whole TV show and watch the episode back over is it shows you how intertwined these soulmates already are as the event of them meeting saves their lives and once you are aware of the wheres and whys of this - the show itself completely changes into something more valuable than you initially saw and understood. I recommend people go back and watch it and only view it as a love story from the very beginning because the way it hits you when you do is just mind-blowing.

They set up a beautifully complex and layered WLW love story between Xena and Gabrielle without really realizing that that’s what they were doing because it’s such a very natural and authentic queer storytelling of two strangers that find home in the soul of each other.

"There’s not a word yet, for old friends who’ve just met” is a lyric in a song written by Paul Williams and Kenny Ascher from ‘The Muppets Movie’. Writer and co-executive producer, who wrote many of the most formative episodes of ‘Xena: Warrior Princess’, Steven L. Sears affectionately ascribes that lyric to Xena and Gabrielle because he believes it perfectly describes the incredible soulmate connection that the two main characters share right from the very beginning of the TV show. And I would have to say that I agree with him on that because no matter what alternative Universe, Uber timeline, reincarnated lifetime or afterlife it is, they meet each other and they develop an attraction to and affinity for each other that seemingly goes way beyond basic friendship and romance and they have a dynamic that is so strong, so substantial and so damn profound that the studio gave up on censoring them. It’s a dynamite chemistry that can be felt so viscerally that you can watch the episodes countless times over and still pick up on fresh new things about the way these two characters are with one another and how they balance and complement each other so perfectly that they’re basically the human representation of yin and yang. And you can read my Xena and Gabrielle: Character study thesis to learn what I mean by that.

Their relationship is incredibly well-written in that it’s so carefully and conscientiously slow-burned and evolved from friends into lovers that it will make it impossible not to ship them together. Believe me - even if you’ve seen Xena before, you haven’t seen it like this. You haven’t seen it as a WLW love story from the beginning to the end. But once you do, you will be attached to it in ways that will make you just like me.

That is… Lifelong dedicated to and enamoured with it.

This is a TV show that finished airing in the year 2001 but it’s been my everything since I first discovered it at 5 years old just flicking through the UK channels bored out of my mind or so my parents have told me.

I cannot even begin to imagine of who I’d be without this TV show and TV ship in my life and I know no other will ever come close to it or them for me for the rest of my life. So all day today I am spending my time celebrating not just the TV show’s anniversary of its pilot episode but also Xena and Gabrielle’s anniversary of meeting and becoming the greatest love story ever told in TV art/entertainment history. They’re iconic and legendary in the LGBTQ community for a reason. That reason is that they’re the first and, honestly, still the best WLW/queer representation that can ever be witnessed and engaged with on the TV screen. The factors as to why that’s true are many,… but mainly… it’s because they were allowed to exist and evolve together as the only lead main female characters in such a way that no other WLW ship on TV ever would or could do so again. They may have been severely censored as an explicit romantic and fully maintext confirmed and committed couple on screen but the creators never let that prevent them from providing a depiction of an all-encompassing love that was much like a romance and still went beyond a romance. Xena and Gabrielle’s love went way beyond the boundaries of romance. I’m not ever saying it’s not that. I’m just saying that it’s more than that and that’s exactly what makes it even more romantic than anything else ever created at least in the TV format and paradigm it was.

Since then, the landscape has changed so drastically that TV WLW/queer ships are never given what they got. Which was a 6 seasons, 22-24 episodes-long epic journey of them just being each other’s absolute EVERYTHING. You can see, hear and feel every single moment of that in who Xena and Gabrielle are as both individual main characters and as a main character dynamic because they do not ever neglect any real and raw aspect about them. The only thing you do not ever get to see between them - although it is heavily implied often - is sexual intimacy. That really is not a loss because everything else that should or needs to be there is there way more than it is with any other WLW/queer TV ships in any other TV shows because they’re lead main characters. In fact… they’re the only lead main characters that are credited throughout the entire run of ‘Xena: Warrior Princess’ and, honestly, sometimes I do wish TV ships in other TV shows would censor themselves every now and again so that they would be forced to dig deeper into the nuances and details as much as they did with Xena and Gabrielle.

I know many would disagree with me here but I’m adamant that the censorship helped them more than it hindered them because what you got instead with them was such a powerful representation of true love that didn’t have to rely on sex to represent it. I know that they couldn’t be shown to be sexually intimate because it wasn’t allowed to be sexual. Nowadays it can but I find that sex is used too much now when it shouldn’t be because a real life WLW/queer ship is more than sex and that’s why Xena and Gabrielle is still better representation even in this day and age.

It’s a combination of queer censorship, unbelievably strong chemistry between the leads and the creator/cast/crew’s sincere intention with queer storytelling that gave us the truly EPIC WLW love story that we got with XENA and I wouldn’t have it any other way because, for me, that is everything I could ever want.

So if you love this TV show and TV ship, please join me in celebrating the timelessly magical experience it is by writing meta about what these things mean to you.

XENA: “You know, I’m sending you home in the morning.”

GABRIELLE: “I won’t stay home. I don’t belong there, Xena. I’m not the little girl that my parents wanted me to be. You wouldn’t understand.”

XENA: “It’s not easy proving you’re a different person.

*Gabrielle eyes her curiously, Xena throws a bundle of blankets at her, gestures to the other side of the fire*

You can sleep over there.”

XENA: “You know, where I’m headed, they’ll be trouble.”

GABRIELLE: “I know.”

XENA: “Then why would you want to go into that with me?”

GABRIELLE: “That’s what friends do. They stand by each other when there’s trouble.”

XENA: “All right, friend.”

[just-barely-a-somebody]

Well deekideke’s fanfic script has given,,, so much. As a recap of what I personally got from it (A very devildice focused perspective):

King Dice drinks

This isn’t the first time Devil had Stickler walk Dice home

Based on the way Devil says it, he’s probably tucked Dice into bed, cradled his head, and told Dice he’s his #1 until Dice fell asleep before (please I need a short fluff fic of this immediately)

King Dice had to wear a flower gown

There’s a joke that he should be called Queen Dice

His gown is ripped into a fucking bikini and then he just “decides to own it and strikes a pose.”

Devil loves the chaos and was probably about to confess feelings before being interrupted

oh yeah devil is also in a wedding gown

they genuinely just flirt with each other

THEN they both sing “Endless Love” WHILE BEING DESCRIBED AS “It’s a romantic dance sequence for the length of the entire song”

AND THEN they almost kiss before… eugh Stickler.

but uh yeah that was a lot /pos

I’m almost 100% certain that Deekideke had/has ideas for other eps that would develop their relationship a bit more and come before this ep

either way, they’re gay+queer as hell <3

[wiyu989]

The Queer Subtext of the CATFA Bar Scene

(Long post, alt text included)

While there are countless examples of evidence to support the idea that Steve & Bucky had romantic tension, none stick out to me quite like the bar scene in catfa

In this post, I will go over the reasons this scene is so important to their relationship

First of all, let’s talk about the heartfelt conversation the two were having prior to Peggy’s arrival. Bucky expressing his admiration for Steve’s bravery, before and after the serum, as he specifies:

This scene displays Bucky’s admiration for Steve, no matter what he looks like. One of my favorite lines.

Not to mention this totally not-subtle remark…

Now let’s talk about the painfully obvious jealousy Bucky showed while Steve and Peggy were flirting. He even started passive-aggressively “flirting” with Peggy while she and Steve were eye-fcking.

Through heteronormative eyes, this may look like Bucky’s jealous of Steve’s new status as “ladies-man”. But if you truly know their characters, you know that’s not true.

As if his jealousy wasn’t already evident enough, look at the death-stare he gives Peggy as she walks away. He is FURIOUS 😭

A new bout of evidence for the queer subtext of this scene was conjured by episode 1 of what if..? when marvel was desperately trying to force feed us steggy, they accidentally confirmed a stucky theory.

In what if, there’s a romantic scene with Steve and Peggy at a bar, and they were interrupted by bucky just before they were going to kiss… sound familiar?

Marvel has been aggressively trying to get us invested in steggy post-endgame, and has done so by attempting to erase Steve and Bucky’s relationship entirely. This is even more evident in the Disneyland adaptation of “Rogers: the musical” adapted from the Hawkeye series.

Now the last topic is, in my opinion, the most evident of Steve and buckys romantic subtext. That is, of course, the song choice of the bar scene.

Throughout the scene, the howling commandos and others can be heard singing “there is a tavern in the town”. How exactly does this confirm stucky? Well let’s look at the lyrics…

Come ON these lyrics perfectly describe buckys POV during this scene. This song choice was no accident in this essay I will 😤

There’s actually a YouTube video that points this “coincidence” out! I recommend you watch so you can see what I mean:

In conclusion? Bucky was undoubtedly in love with Steve and this scene is a certified stevebucky classic

thanks for reading <3

[retellingthehobbit]

Tolkien Webcomic Recommendations!

I know people here follow me for my webcomic adaptation of the Hobbit. So I thought I’d share recommendations for my favorite similar Tolkien comic projects, in case people are looking for other Tolkien webcomics to read! :D

My recs will be mainly Tolkien comics that adapt portions of the original books, just with their own unique spin on them.

1. Sam and Frodo Comics, by Molly Knox Ostertag

Ostertag is probably the most well known artist on this list! She is a professional graphic novel artist who does gorgeous adaptations of scenes from Lord of the Rings, read through a queer lens, in order to tell the story of Frodo and Sam’s love for each other. This is mixed in with comics based on her own Tolkien-inspired writing. I’m focusing on comics in this rec list, but I’ll add that Ostertag has also written a lot of engaging prose fanfic with illustrations.

“Sam and Frodo Comics”

“In All the Ways There Were” (illustrated prose fanfic adaptation)

2.Lord of the Rings Book Canon Comics, by @yambits

Yambits does beautiful adaptations of scenes from the original lord of the rings books that do not appear in the New Line Cinema films, hewing very close to the original prose, and focusing on the love between Frodo and Sam. I especially love the way they depict the magical temptation of the Ring.

“Ithilien,” an adaptation of Frodo & Sam’s encounter with Faramir

“In the Lair,” an adaptation of Sam & Frodo journeying together into Shelob’s lair

“The Tower,” an adaptation of Sam journeying to the tower of Cirith Ungol to rescue Frodo

“Escape from the Tower,” an adaptation of Sam and Frodo leaving Cirith Ungol to journey into Mordor

The Ringbearers, a comic about the One Ring reflecting on the resilience of hobbits

3. Sansukh the Webcomic, by @fishfingersandscarves and @determamfidd

Sansukh is a well-loved Bagginshield fanfiction that is now getting a webcomic adaptation co-created by the original author. The premise is that after his death, Thorin Oakenshield is not able to speak to his surviving loved ones, but can influence them in subtle ways; he uses this power to help inspire Gimli to join the Fellowship of the Ring and protect Bilbo’s nephew. From there the fic becomes an “adaptation” of Lord of the Rings, retelling the trilogy through its new lens until the very end.

This is a bit of an outlier on this list because it’s an adaptation of a fanfic that’s an adaptation of the books, rather than an adaptation of the book. However, if you’re into the Hobbit fandom/Bagginshield, I recommend checking it out! It’s also one of the few comics on this list that is currently updating. :)

@sansukhcomic (tumblr blog)

Chapter one

Original fanfic the comic is based on

4. The Ainulindalae from the Silmarillion, by Evan Palmer Comics

People who know me, know that I’m *usually* not a big Silmarillion person. However!

Comic artist Evan Palmer did a gorgeous adaptation of the Ainulindale. This section of the Silmarillion describes the elven myth of creation, the ancient years where the world was created through a divine magical song. Palmer’s Fantasia-inspired expressive watercolor art really helps bring this section of the story to life!

Full comic

5.The 1989 Hobbit Comic adaptation, by Chuck Dixon and David T Wenzel

This is another outlier because it’s a physical comic book, rather than a webcomic- and unlike all the other recs this is an “official” adaptation produced by an actual publishing company rather than a zero-budget work made by an indie creator working alone/with a partner. I’m unsure if it can be found online.

It’s an adaptation of the Hobbit that hews extremely close to the original book, making practically no changes at all. It has very gorgeous watercolor illustrations! ( It’s been a big inspiration for me on my own little comic adaptation of the hobbit shsjd.) This is also the only comic on the list I’ll offer critique of, because it’s the only one made by an actual company with a budget— so I’ll say that because of page limits imposed on the comic many of the pages can feel overcrowded with prose, and emotional beats/comedy beats sometimes aren’t given the time to properly land. At times it feels less like a comic adaptation and more like reading the original prose of the Hobbit accompanied by some very beautiful illustrations. But if that’s what you’re into it’s great!

It’s a fun well-illustrated read that I recommend. I’m not sure where people can find copies; I stumbled across it in my library, so they’re definitely still around.

If anyone has additional tolkien comic recommendations,especially ones that can be found easily online, feel free to add them to this list! : D

[queermikewheelertruther]

S3 Ending Mileven Kiss

(not a pro mileven post)

This scene begins with El trying to get a teddy bear, 𝘞𝘪𝘭𝘭’𝘴 teddy bear, from Will’s closet. Mike enters the room and gets it down for her. El is holding the teddy bear throughout this entire scene.

El turns away to leave, but turns back around to remind Mike of the time he said that he loved her. This switches the placement of Mike and El, now Mike is standing directly in front of Will’s open closet.

Mike also acts oblivious to what he said, only three months earlier, saying, “..that was so long ago..” and described it as, “..heat of the moment stuff.” El approaches Mike, telling him she loves him too. Will’s teddy bear is between them the entire time.

As they kiss, the song, “The First I love You” plays. Mike’s eyes are wide open, he stands still, and doesn’t reciprocate the kiss at all. He is positioned in front of Will’s open closet with the light on (to draw your attention to it), and El is positioned right after where the closet door ends.

El is also wearing a blue and yellow flannel, with a green hair tie.

The song, “The First I love You” plays during another scene, the episode prior. You wanna know what scene that is? Robin’s 𝘤𝘰𝘮𝘪𝘯𝘨 𝘰𝘶𝘵 𝘵𝘰 𝘚𝘵𝘦𝘷𝘦 scene. This confirms that Mike is queer, and in this scene doesn’t reciprocate the feelings El has towards him. The word ‘love’ in this song also doesn’t have a capital letter at the beginning. This is because the love that both Mike and Robin feel in these scenes is platonic.

(edit: the song during Robins coming out scene is actually an unreleased track that is the song “You’re a Fighter” and “The First I love You” combined, but my point still stands.)

One of my favorite pieces of Mike Wheeler queer coding.